It seems that the barefoot painter has been conferred Qatari citizenship which he has accepted. Reactions to this news have been almost predictable. Copious tears are being shed by his supporters who again proclaim that this is another proof of how the liberal space in India has shrunk. On the other hand, the ‘moving-to-center’ Sangh Parivar has actually said that it ‘welcomes’ Hussain as an Indian citizen.
Leaving aside polemics, firstly, taking up or not taking up an alternate citizenship is Hussain’s personal choice. So many people around the world give up their native citizenships and accept that of other countries; Hussain is just one among them. So, why this brouhaha over an individual act? Anyways, for people who are proud of Hussain, citizenship does not matter for they themselves are ‘citizens of the world’ (as if there existed such a thing). More importantly, as Indians, we have a habit of embracing as our very own, any celebrity around the world, who has had the remotest Indian connection, be it a VS Naipaul or a Bobby Jindal. Compared to them, Hussain is much more an Indian, having taken birth and lived much of his life in India. His citizenship is incidental then. Taking an alternate perspective, he has been away from the country for long, in effect, not having any material connection with India. So, if this de facto state is changed to a de jure state, then what exactly is the problem?
Coming to the more serious point which should merit our attention, i.e., muzzling of artistic freedom in India which led the country to ‘lose’ its ‘jewel’. Hussain has been accused of deliberately hurting religious sentiments of a vast segment of Hindus though his blasphemous depiction of Hindu Goddesses. As a result, by various estimates, more than 900 cases stand lodged against him in various courts across the country. For the record, Hussain has not attended a single court hearing and has, on the contrary, taken refuge from law, in the welcoming confines of a co-religionist Nation.
Why do a vast section of Hindus believe that Hussain has offended their religious sensibilities? It is because he has depicted Mother Goddess manifestations in vulgar and hitherto unknown scenarios. So, a painting titled ‘Sita’ has a naked female figure rubbing her clitoris on the tail of a monkey. Another painting titled ‘Durga’has another naked female figure copulating with a predatory cat. How exactly can these paintings solely be taken as secular expression of an artist’s instincts is beyond me. People who proclaim that these paintings are only a continuation of our Khajuraho traditions, are either ignorant of what those temple sculptures contain or are completely ignorant of Hindu (read Indian) traditions.
Firstly, Khajuraho and Konark are only exceptions among thousands of Indian temples. Secondly, by liberal estimates, around 10% of total sculptures belong to the genre of erotica, the rest being devoted to more mundane aspects of a householder’s life or depictions of tales of Gods and Goddesses. Thirdly and most importantly, those sculptures which provide gist to the ‘liberal’ arguments, depict courtesans, demi gods and celestial nymphs; all the categories of which, in Indic traditions, are supposed to be libertine. Nowhere would you find a heretical depiction of God or the Mother Divine even remotely in the way which Hussain has depicted. Fourthly and let it be as loud as the final trumpet…as per the liberals themselves, times have changed so we must look ahead and mould ourselves to changing times; a noble and acceptable sentiment indeed. However, applying the same principles, India is not India of 1200 years back and the benchmarks for acceptance have changed. Centuries of Islamic and Christian rule in India has imprinted in a more conservative form of sexual morality and imagery in the psyche of the people and for an overwhelming multitude of Indians, even fresh Khajuraho or Konark like sculptures or even paintings would be sacrilegious; forget about permitting truly blasphemous ‘artistic expressions’. It is quite a commentary on the intellectual (?) dishonesty of this bunch, that it needs to use some artefact from that time as a certificate to further its arguments, when it does not have time for the Indian past other than proclaiming it only to be an age of oppression and darkness.
Another point of defence for Hussain is that he knows his Ramayana better than many Indians and his depiction of Hindu Goddesses depict his love for Hindu traditions. At the risk of sounding repetitive, why is that that Hussain’s depiction of his own mother, revered figures from Islamic faith or even Blessed Teresa of Kolkata, are always shown is composed and compassionate situations, always fully covered from head to toe? Why is that that his love manifests in different forms for different religions?
Coming to the protests, what exactly have been the mode of protests? The more serious one has been attack on an exhibition which displayed his paintings. No one attacked or even attempted to attack him physically, nor have there been any attempted or real damage to his personal property (in spite of the canard being spread by his supporters). What have the people hurt by his paintings done? They have simply taken the route of decent law abiding citizens and lodged cases in courts, painfully aware that the Indian judicial system will not let them have justice. The way cases progress, it is very likely that Hussain will pass away before any of these courts bring him to justice.
What has been Hussain’s response? He left India for the cosy confines of another land. Till last year, he and his son would refute that he is in exile, pointing out that Hussain has been living in Dubai and London for years, only occasionally visiting India. However, why let go of any opportunity to demean Hindus who still hold on to their faith? So, his holiday sojourns have become forced exile.
Normally, people who leave their countries to escape the law are known as fugitives and it is any Government’s moral duty to ensure their extradition. Here we have a fugitive from law, who is being supported and feted by ‘liberals’ of all hues and the Government saying that it will provide protection to him. Protect him by all means. He should live and no harm should befall him, lest it gives more imaginary fodder to his supporters.
Certainly should a PIL be filed asking for his return to India. However, unlike Bhim Singh’s PIL asking for his feted return, a more apt one should be for a direction that he be brought back so that the court cases against him be expedited.